Photo Number 26 Photo Number 27 Photo Number 28 Photo Number 29 Photo Number 30
Photo Number 31 Photo Number 32 Photo Number 33 Photo Number 34 Photo Number 35
Photo Number 36 Photo Number 37 Photo Number 38 Photo Number 39 Photo Number 40
Photo Number 41 Photo Number 42 Photo Number 43 Photo Number 44 Photo Number 45
Photo Number 46 Photo Number 47 Photo Number 48 Photo Number 49 Photo Number 50
Page: [1] [2] [3] [4] [5] [6] [7] [8]


3-D Movies and the 1950’s


As the popularity of television grew in the early 1950’s the motion picture industry found itself losing customers. To regain viewers movie executives began trying new and different things. One of these was the release of 3-D movies. Actually, using 3-D in film wasn’t a new phenomenon. Innovators had experimented with various 3-D technologies since the silent film era. However, it wasn’t until the 1950s that 3-D was attempted on a larger scale.

The basic principal of 3-D involved using two cameras spaced apart so their images approximated what two eyes would see. The exposed film from one camera was laid over the film of the other to produce a single movie print with offset images. The print when projected would produce a double image. Special polarized glasses could then be worn, and the viewer would see a 3 dimensional scene.
 
The first 3-D film during the decade was Bwana Devil. Premiering in November of 1952, the movie starred Robert Stack (of TV’s The Untouchables and Unsolved Mysteries), Barbara Britton, and Nigel Bruce (Dr. Watson in the Basil Rathbone Sherlock Holmes films). The film was set in Africa and dealt with man-eating lions attacking railway workers. While the movie itself was not very good, some of the 3-D effects were.

Over the next couple of years many more movies were released in 3-D. Among these were 3-D versions of House of Wax, Hondo, Dial M For Murder and Kiss Me Kate. For a time over 5,000 American theaters showed 3-D movies. There were also 3-D movies produced in Germany, Britain, Japan, Mexico and Hong Kong.

However, the 3-D fad didn’t last. Some viewers suffered eyestrain and headaches from watching 3-D films. In addition, if the projection wasn’t done perfectly by the theater the film was just a blurred mess. As a result, the regular version of a film often had more viewers than the 3-D version.

As the 3-D fad died the film industry turned to other ways of competing with television - widescreen aspect ratios, CinemaScope, etc.

However, use of 3-D in film did not disappear entirely. Today’s technology has far surpassed that of the 1950’s, and many 3-D movies are now shown on huge screens at a number of IMAX theaters.
 
by Guy Belleranti

 

 

homepage